Because sometimes, the best way to see is to write.
Tuesday, May 28, 2013
These Four Walls
Gated community (online image)
Clang. Snap.
Bang. Click. I listened again. Clang. Snap. Bang. Click. Those were some of the first
sounds I heard as we exited Jomo Kenyatta International Airport in Nairobi,
Kenya. They echoed in chorus throughout the dark city as we made our way across
snaking lanes of traffic and ill-lit highway overpasses, bumping down dusty
alleys and back streets. Clang. Snap. Bang. Click. Clang as the metal gates
flew open. Snap as guards clicked heels on pavement, investigating newcomers and
casual passersby. Bang as doors slid shut after passing. Click on the padlocks,
cog wheels tightening. From what I could tell in those first few hours and even
subsequently, Nairobi was a fortress. Every house, business, and shopping
center on lock down- bars on windows, gates at doors. Like marshal order, but
self-imposed and justifiably so with break-ins and petty theft all too common
in the absence of such precautions.
The Everywhere Security Guard (online image)
We bounced our
way down a pitch black side street, emerging just before the entrance to the
villa. Barbed wire fences coiled atop rigid iron bars, a shiny dark paint finish
washed over it all. The guard nodded, smiled at the taxi driver he knew well
and slid back the gate with a forcible metallic swoosh. I must have stared
slack-jawed long enough before the driver, John, chuckled aloud. The imposing
iron fortress belied a near tropical interior with giant jacaranda trees
dipping low branches over tiled roofs and fragrant flowers stretching eagerly
through the gates that encircled each villa. Villa was exactly the right word
for the picturesque white and wood homes, almost gleaming even in the darkness.
Kenyan Villa (online image)
House
sitting? This was where I was house
sitting? John passed me a heavy set of keys and walked me through the entrance
and exiting process. A driveway gate with deadbolt latch. Front door gate with
a long silver key that looked more like it belonged in Gulliver’s Travels than in my upturned palm. A near identical one
for the actual front door. A second set for the entrance to the living quarters
and another for my room itself. Would I
be okay for the night? Did I feel safe? he asked. My eyes still soaking in
what they could in the lighted corridor,—cool tiled floors, gorgeous wood
stairs, plush sofas, and a six-windowed kitchen—I grinned and nodded yes.
Welcome to Nairobi.
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